"The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application." Featuring uniform half-cardioid polar pattern for maximum gain-before-feedback and rejection of off-axis sound, precision-engineered low-profile design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter, frequency response tailored for kick drum/low frequency applications with a wide dynamic range for use in high SPL environments, two-position contour switch to maximize attack and clarity depending on application – select the flat response setting for natural sound in most applications or the “low-mid scoop” setting for a strong low frequency “punch” with plenty of higher frequency attack, and requires no external mounting.
Fender's microphone cables are specifically designed and engineered for live performances, made to avoid twisting...
This "50's look" stand mounted microphone combines a classic appearance with modern acoustic components to...
The ideal microphone stand for any performer. Sturdy, reliable, and easy to adjust.
Adjustable for both height and angle with a large span tripod base with rubber feet...