This limited edition Grand Auditorium marks the first-time Taylor paired walnut with a torrefied spruce top. Taylor's torrefaction process roasts the wood in a way that mimics the wood’s natural aging process, altering its cell structure to produce a sweeter, more responsive sound. Walnut’s tonal personality tends to combine some of maple’s transparency with the dry properties of mahogany. Together with the torrefied top and Taylor's Grand Auditorium body, players can expect a touch-sensitive response reminiscent of a walnut guitar that’s been played in. Tasteful appointments include mother-of-pearl Century fretboard inlays, faux tortoise binding, and an all-gloss body, with onboard Expression System® 2 electronics.
Bracing - Performance with Relief Rout
Binding/Edge Treatment - West African Crelicam Ebony
Top Finish - Gloss
Back Config - 2-piece No Wedge
Rosette Size - Single Ring
Back/Side Finish - Gloss
Rosette Mat. - Ivoroid/Tortoise/Ivoroid
Body Length - 20"
Body Width - 16"
Body Depth - 4 5/8"
Scale Length - 25-1/2"
Number of Frets - 20
Neck Width - 1-3/4"
Fretboard Inlay - Century
Fretboard Binding/Edge Treatment - West African Crelicam Ebony
Heel Cap Binding - West African Crelicam Ebony
Type of Neck Joint - Taylor Neck
Neck/Heel - Tropical Mahogany
Fretboard Wood - West African Crelicam Ebony
Neck Finish - Satin
Heel Length - 3-1/2"
Tuners - Taylor Nickel
Truss Rod Cover - West African Crelicam Ebony
Peghead Finish - Gloss
Peghead Type - Standard
Headstock Overlay - West African Crelicam Ebony
Peghead Logo - Taylor Mother of Pearl
Nut & Saddle - Tusq Nut/Micarta Saddle
Pickguard - Tortoise
Bridge Pins - West African Crelicam Ebony
Buttons - Nickel
Case - Taylor Deluxe Hardshell Brown
*Models are subject to change without notice*
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