The Grand Concert’s intimate body size and short-scale neck make for a comfortable playing experience that fingerstyle players are bound to love. The 12-fret version of the 812ce yields a slightly different character than the 14-fret because the bridge position is closer to the center of the lower bout and because the bracing profile was modified to emphasize a bolder attack. Players can expect plenty of the Grand Concert’s signature articulation with a slightly meatier, more robust tonal output. This year’s edition features our V-Class bracing design, which bolsters this small-bodied guitar with added projection and sustain, bringing out more of Indian rosewood’s harmonic complexity. If you like a slightly darker, punchier quality in a small guitar, the 812ce 12-Fret is a great choice.
Bracing - V-Class
Binding/Edge Treatment - West African Crelicam Ebony
Top Finish - Gloss 3.5
Back Config - 2-piece No Wedge
Backstrap Finish - None
Rosette Size - 2014 800 Series
Back/Side Finish - Gloss 3.5
Armrest Binding - Indian Rosewood insert
Rosette Mat. - Abalone
Armrest - Yes
Body Length - 19 1/2"
Body Width - 15"
Body Depth - 4 3/8"
Scale Length - 24-7/8"
Number of Frets - 18
Neck Width - 1-3/4"
Fretboard Inlay - Element
Fretboard Binding/Edge Treatment - West African Crelicam Ebony
Heel Cap Binding - West African Crelicam Ebony
Type of Neck Joint - Scarf
Neck/Heel - Tropical Mahogany
Fretboard Wood - West African Crelicam Ebony
Neck Finish - Satin
Heel Length - 3-1/4"
Truss Rod Cover - West African Crelicam Ebony
Tuners - Taylor Slot Head
Peghead Finish - Gloss
Peghead Type - Slot Head
Headstock Overlay - West African Crelicam Ebony
Peghead Logo - Taylor Mother of Pearl
Nut & Saddle - Black Graphite, Micarta saddle
Pickguard - Rosewood
Bridge Pins - West African Crelicam Ebony
Buttons - Ebony
Edge Trim - Indian Rosewood
Case - Taylor Deluxe Hardshell Brown
*Models are subject to change without notice*
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